άÎò

1976ǯ06·î13Æü

µÜ²¼Ë§ÌÀ¡¡Î¬Îò

µÜ²¼Ë§ÌÀ ( ÆüËܸì)
µÜ²¼Ë§ÌÀ¡¡¡¡Homei Miyashita, Ph.D.
ÌÀ¼£Âç³ØÍý¹©³ØÉô ¾ðÊó²Ê³Ø²Ê ÀìǤ¹Ö»Õ

¸¦µæ¼¼¥¦¥§¥Ö¥µ¥¤¥È
http://www.miyashita.com/

1976ǯ¥¤¥¿¥ê¥¢¹ñ¥Õ¥£¥ì¥ó¥Ä¥§À¸¤Þ¤ì¡£ÀéÍÕÂç³Ø¤Ë¤Æ²èÁü¹©³Ø¡¢ÉÙ»³Âç³ØÂç³Ø±¡¤Ë¤Æ²»³Ú¶µ°é¡Êºî¶Ê¡Ë¤òÀì¹¶¡¢ËÌΦÀèü²Ê³Øµ»½ÑÂç³Ø±¡Âç³Ø¤Ë¤ÆÇî»Î¹æ¡ÊÃμ±²Ê³Ø¡Ë¼èÆÀ¡¢Í¥½¨½¤Î»¼Ô¾Þ¡£¶âÂô³Ø±¡Âç³ØÈþ½Ñʸ²½³ØÉô Èó¾ï¶Ð¹Ö»Õ¡Ê2004-2005¡Ë¡£ËÌΦÀèü²Ê³Øµ»½ÑÂç³Ø±¡Âç³Ø ²Ê³Øµ»½Ñ³«È¯Àïά¥»¥ó¥¿¡¼¸¦µæ°÷¡Ê2006-2007¡Ë¡£2007ǯÅÙ¤è¤ê¸½¿¦¡£2008ǯÅÙ¤è¤ê¡¡ÌÀ¼£Âç³Ø Âç³Ø±¡ Íý¹©³Ø¸¦µæ²Ê ¿·ÎΰèÁϤÀì¹¶ ¥Ç¥£¥¸¥¿¥ë¥³¥ó¥Æ¥ó¥Ä·Ï¤Ë¤â½ê°¡£

¡¦¾ðÊó½èÍý³Ø²ñ¥Ò¥å¡¼¥Þ¥ó¥³¥ó¥Ô¥å¡¼¥¿¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó¸¦µæ²ñ¡ÊµìHI¸¦µæ²ñ¡Ë±¿±Ä°Ñ°÷(2007-)
¡¦¾ðÊó½èÍý³Ø²ñ¥Ò¥å¡¼¥Þ¥ó¥³¥ó¥Ô¥å¡¼¥¿¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó¸¦µæ²ñ¡¡´´»ö(2008-)
¡¦¥¨¥ó¥¿¡¼¥Æ¥¤¥ó¥á¥ó¥È¥³¥ó¥Ô¥å¡¼¥Æ¥£¥ó¥°2007 ¥×¥í¥°¥é¥à°Ñ°÷
¡¦¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2008 ¼Â¹Ô°Ñ°÷¡Ê¹­Ê󡦥¦¥§¥Ö¥µ¥¤¥È¡Ë
¡¦¥¨¥ó¥¿¡¼¥Æ¥¤¥ó¥á¥ó¥È¥³¥ó¥Ô¥å¡¼¥Æ¥£¥ó¥°2008 ¼Â¹Ô°Ñ°÷

¸¦µæ¼¼¡§¢©214-8571 ¿ÀÆàÀÀîºê»Ô¿Ëà¶èÅì»°ÅÄ1-1-1 ÌÀ¼£Âç³ØÍý¹©³ØÉô 1¹æ´Û 1209B¼¼
¥á¡¼¥ë¡§homei [a] isc.meiji.ac.jp

¥Ô¥¢¥Î¤òÅ쳤ÎÓÌéÎá»Ò»á¤Ë¡¢ºî¶Ê¤ò¾¾ËÜúæ»á¤Ë»Õ»ö¡£¸å³Ú±à¥Û¡¼¥ë NEW JAPAN KICKBOXING ¤Î²»¶Á¡¦²»³Ú¡¢ËÌΦÊüÁ÷ ¥Æ¥ì¥ÓÈÖÁÈ¡ÖÃΤν¸ÀѲóÏ©¡×¥·¥ê¡¼¥º¤Î¥Æ¡¼¥Þºî¶Ê¡¢NHKÁ´¹ñÊüÁ÷¡Ö¤ª¤Ï¤è¤¦ÆüËÜ ¤Þ¤Á¤«¤É¾ðÊó¶É¡×¤Î¥ª¡¼¥×¥Ë¥ó¥°¥¸¥ó¥°¥ë¤òÊԶʤ¹¤ë¡£±ÇÁü¤Ç¤ÏNHK¶âÂô¤Î¥¢¥Ë¥á¡¼¥·¥ç¥óÈÖÁÈ¡Ö ¤¯¤Þ¤ó¤Ð¤¡¡ª ¡×¤ò£±Ç¯´Ö¤Ë¤ï¤¿¤êÀ©ºî¡£CG±ÇÁü¤Ç¤ÏeAT(electric Art Talent)¥¢¥ï¡¼¥É'06¥°¥é¥ó¥×¥ê¡Ê¾¢¾Þ¡Ë¤ò¼õ¾Þ¡¢Íâǯ¶âÂô¤ò¥Æ¡¼¥Þ¤Ë¤·¤¿CM±ÇÁü[¸ÝÌçÊÔ][·óÏ»±àÊÔ]¤òÀ©ºî¡£

2001ǯ¤è¤ê¡¢±ÇÁü¤È²»¶Á¤Ë¤è¤ë¥é¥¤¥Ö¥Ñ¥Õ¥©¡¼¥Þ¥ó¥¹¥æ¥Ë¥Ã¥È¡ÖDIGITAL OPERA PROJECT¡×¤ò¥×¥í¥Ç¥å¡¼¥¹¤·¡¢¡ÖÅ·ÃÏÁϤ¡×¡Ö¥Ê¥ë¥­¥Ã¥½¥¹¡×¤Î±éÌܤòÉÙ»³¡¦¶âÂô¡¦¥Ð¥ó¥³¥¯¡Ê¥¿¥¤¡Ë¤Ë¤Æ¾å±é¡£

2003ǯ¡¢¿Þ·Á³ÚÉè¤ÎưŪ³ÈÄ¥¤ò»î¤ß¤ë¡Öư¤¯¿Þ·Á³ÚÉè¤È2Âæ¤Î¥Ô¥¢¥Î¡×¤ò½é±é¡£¤Þ¤¿¥µ¥¦¥ó¥ÉÀ¸À®¥ª¥Ö¥¸¥§¤òŸ¼¨¤·¤¿¡Ö²»¤Î¸ÄŸ¡×¤ò³«ºÅ¡£¡Ö¿Í´Ö·¿¥·¥ó¥»¥µ¥¤¥¶¡¼¡×¡¢³ÚÉè¾å¤Ç¥Í¥¬È¿Å¾¤ò»î¤ß¤¿³Ú¶Ê¡ÖNEGATIVE & POSITIVE¡¡¡Á¥­¥³¥¨¥Ê¥¤²»¡¢Ê¹¤³¤¨¤Þ¤¹¤«¡Á¡×¤Ê¤É¤òȯɽ¡£

2004ǯ¡¡¥½¥í¥³¥ó¥µ¡¼¥È¡Ö²»³Ú¤Î¾ò·ï¡×¤Ç¤Ï¡¢¥À¥ó¥´¥à¥·¤Îư¤­¤ò²»³Ú¤ËÊÑ´¹¤¹¤ë¡ÖDangomusic¡×¡¢ÀðÉ÷µ¡¤òÀ©¸æ¤·¤Æ¥¦¥£¥ó¥É¥Á¥ã¥¤¥à¤ò±éÁÕ¤¹¤ë¡ÖWindChimer¡×¡¢´ÑµÒ¤Î·ÈÂӥ᡼¥ë¤«¤é±éÁÕ¤ò¹Ô¤¦¡ÖCellphone Ensemble¡×¡¢¸°Èײ¹ÅÙ¤òºÇÂç70ÅÙ¤Þ¤ÇÊѲ½¤µ¤»¤ë²¹ÅÙ³ÚÉèÄ輨¥·¥¹¥Æ¥à¡ÖThermoscore¡×¤Ê¤É¤òȯɽ¡£´ØÏ¢¤¹¤ë³Ø²ñȯɽ¤ò¥ª¡¼¥¹¥È¥é¥ê¥¢¡¢¥Õ¥é¥ó¥¹¡¢¥¤¥¿¥ê¥¢¤Ë¤Æ¹Ô¤¦¡£

ÌÀÏÂÅŵ¡¥×¥í¥Ç¥å¡¼¥¹¤Ë¤è¤ë¡ÖeAT '07 À¤³¦¥ª¥â¥·¥í³Ú´ï¥·¥ç¡¼ in ¶âÂô¡×¤Ç¤Ï¡¢¿åÁÇ¥¤¥ª¥ó»Ø¿ô¤ò²»¹â¤ËÊÑ´¹¤¹¤ë¡ÖpH¥Æ¥ë¥ß¥ó¡×¡¢²½³Ø¿¶Æ°¸½¾Ý¤ò±þÍѤ·¤¿¥ê¥º¥àÀ¸À®¥·¥¹¥Æ¥à¡ÖË¢²»¥ê¥º¥à[awa-odo-rhythm]¡×¤òȯɽ¡£

¤Þ¤¿¡¢³ô¼°²ñ¼Ò¥½¥Ë¥Ã¥¯¥Ø¥Ã¥É¤Î¥×¥í¥Ç¥å¡¼¥µ¡¼¤È¤·¤Æ¡¢¼«Æ°¼Ö·¿¥½¥Õ¥È¥¦¥§¥¢¥·¥ó¥»¥µ¥¤¥¶¡¼¡ÖCarSynth¡×¡¢¸ÞÇï»Ò²»³ÚÀ©ºî¤Î¤¿¤á¤Î¥µ¥ó¥×¥ê¥ó¥°CD¡Ö4++¥·¥ê¡¼¥º¡×¤Î¥×¥í¥Ç¥å¡¼¥¹/¥Ó¥¸¥å¥¢¥ë¥Ç¥¶¥¤¥ó¤ò¹Ô¤¦¡£

ÌÀ¼£Âç³ØÃåǤ¸å¡¢¸øÎ©¤Ï¤³¤À¤ÆÌ¤ÍèÂç³Ø¤Î·Þ»³Ï»ʤȤȤâ¤Ë¥¤¥ó¥¿¥é¥¯¥Æ¥£¥Ö¥¢¡¼¥È¤ÎŸ¼¨¡ÖFlowers: the interactive pictures¡×¤ò¹Ô¤¦¡£¡Ö¥Ò¥é¥±¥Ï¥Ê¡×¤Ç¤Ï³«²ÖÂ¥¿Ê°äÅÁ»Ò¤¬ºÙ˦Æâ¤ÇËÝÌõ¤µ¤ì¤Æ¤¤¤¯¥×¥í¥»¥¹¤ò²Äݲ½¤·¤Æ¤¤¤ë¡£

¡Ú¼õ¾ÞÎò¡Û
Âè41²ó¹âÊö¾ùµÈ¾Þ[²Ê³Ø]¡¢ThinkQuest Japan2002 ¶â¾Þ [±ÇÁü¡¦¥¦¥§¥Ö¥Ç¥¶¥¤¥ó]¡¢avex¼çºÅ m-flo¥ê¥ß¥Ã¥¯¥¹¥³¥ó¥Æ¥¹¥ÈÍ¥½¨¾Þ[²»³Ú]¡Ê¶¦Æ±À©ºî¡§Â¼ÅÄÀé½Õ¡¢Hiro Shiomi¡Ë¡£eAT¥¢¥ï¡¼¥É'06¥°¥é¥ó¥×¥ê¡Ê¾¢¾Þ¡Ë[CG]¡£

¡ÚººÆÉÉÕ¤­³Ø½ÑÏÀʸ¡Û
  • Homei Miyashita. Development and Utilization of Asobiuta KARAOKE for Elementary Music Education Available on the Internet, ACM Computers in Entertainment, Vol.2 Issue 1, 2004.
  • µÜ²¼Ë§ÌÀ. Planesphere-model¤òÍѤ¤¤¿»ë³ÐŪÈþ¤·¤µÉ¾²Á¤Ø¤Î¥¢¥×¥í¡¼¥Á ¡Á²èÁü¹½À®Í×ÁǤˤª¤±¤ëµ±Å٤αƶÁ¡Á¡¤ÆüËÜ¥¤¥ó¥Æ¥ê¥¢³Ø²ñÏÀʸÊó¹ð½¸¡¤Vol.14, pp.17-21, 2004.
  • µÜ²¼Ë§ÌÀ. ¥¦¥§¥Ö¥¢¥Ë¥á¡¼¥·¥ç¥ó¥½¥Õ¥È¥¦¥§¥¢¤òÍøÍѤ·¤¿¥Æ¥ì¥Ó¥¢¥Ë¥á¡¼¥·¥ç¥ó¤Î¥Õ¥ë¥ª¥ó¥é¥¤¥óÀ©ºî¡¤±ÇÁü¾ðÊó¥á¥Ç¥£¥¢³Ø²ñÏÀʸ»ï¡¤Vol.58, No.9, pp.1260-1262, 2004.
  • Homei Miyashita. An Approach to Visual Beauty Evaluation - Effects of Lightness as a Parameter of Image Components - , AIDIA Journal(Asia Interior Design Institute Association) Vol.3, pp.39-42, 2004.
  • µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö¡§¡Ö²»³Ú¤Î¾ò·ï¡×¤È¤Ï²¿¤«¡©¡¤ÆüËܥС¼¥Á¥ã¥ë¥ê¥¢¥ê¥Æ¥£³Ø²ñÏÀʸ»ï¡¤Vol.10 No.1, pp.11-20, 2005.
  • µÜ²¼Ë§ÌÀ¡§Planesphere-model¤òÍѤ¤¤¿»ë³ÐŪÈþ¤·¤µÉ¾²Á¤Ø¤Î¥¢¥×¥í¡¼¥Á­¶¡¡²èÁü¹½À®Í×ÁǤˤª¤±¤ë¥µ¥¤¥º¤Î±Æ¶Á¡¤ÆüËÜ¥¤¥ó¥Æ¥ê¥¢³Ø²ñÏÀʸÊó¹ð½¸¡¤Vol.15, pp.1-5, 2005.
  • µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö¡§±éÁռԤο¨È¯¥¤¥ó¥¿¥Õ¥§¡¼¥¹¤È¤·¤Æ¤Î³ÚÉè ¤½¤Î³ÈÄ¥¤È²ÄǽÀ­¡¤¥Ò¥å¡¼¥Þ¥ó¥¤¥ó¥¿¥Õ¥§¡¼¥¹³Ø²ñÏÀʸ»ï¡Ö¥×¥í¥¹¥Ú¥¯¥Æ¥£¥ÖÏÀʸÆÃ½¸¹æ¡×¡¤Vol.7, No.2, pp.37-42, 2005.
  • Homei Miyashita. Experiments to Visual Beauty Evaluation and Development of Visual Beauty Support System, AIDIA Journal(Asia Interior Design Institute Association) Vol.5, pp.222-226, 2005.
  • µÜ²¼Ë§ÌÀ, À¾Ëܰì»Ö, µÜÅİì¾è. »ë³Ð¥Ç¥¶¥¤¥ó¤Ë¤ª¤±¤ë»Ù±ç¼êÃʤθ¦µæ ¡Á²èÁü¹½À®Í×ÁǤˤª¤±¤ëµ±ÅÙ¡¦¥µ¥¤¥ºÊ¬»¶¤Î´ÑÅÀ¤«¤é¡Á¡¤ÆüËÜ¥¤¥ó¥Æ¥ê¥¢³Ø²ñÏÀʸÊó¹ð½¸¡¤Vol.16, pp.9-15,2006.
  • Homei MIYASHITA, Kazushi NISHIMOTO, Kazunori MIYATA. How should a Visual Design Process be Supported?, AIDIA Journal(Asia Interior Design Institute Association) Vol.6, pp.180-186, 2006.
  • µÜ²¼Ë§ÌÀ, ¾®ºä¿òÇ·, ÉþÉô¿Ê¼Â. Ëׯþ·¿»°¼¡¸µÉ÷³Ð¥Ç¥£¥¹¥×¥ì¥¤¤Î¤¿¤á¤Î¥³¥ó¥Æ¥ó¥Ä³«È¯. ÆüËܥС¼¥Á¥ã¥ë¥ê¥¢¥ê¥Æ¥£³Ø²ñÏÀʸ»ï¡¤Vol.12, No.3, pp.315-321, 2007.
  • ¾®ºä ¿òÇ·¡¢µÜ²¼ ˧ÌÀ¡¢ÉþÉô ¿Ê¼Â. ƬÉô-¾åȾ¿ÈÉô°Ì¤ËÂФ¹¤ëÉ÷³Ð¼Â¸³¤Ë¤Ä¤¤¤Æ¤Îɾ²Á. ¾ðÊó½èÍý³Ø²ñÏÀʸ»ï, Vol.48, No.12, pp.3827-3836, 2007.
¡Ú³Ø²ñȯɽ¡Û
  • µÜ²¼Ë§ÌÀ, ±öÆþ¡¡Í¡, Ìð¸ýÇîµ×. »ë³ÐŪÈþ¤·¤µ¤Î²òÌÀ¡¡µ±ÅÙ¤Îʬ»¶¤¬Í¿¤¨¤ë±Æ¶Á, ÆüËÜ»ë³Ð³Ø²ñ²Æµ¨Âç²ñ, ²Ï¸ý¸ÐÈÊ¥µ¥Ë¡¼¥Ç¥Ó¥ì¥Ã¥¸, Aug.26-27, 2000.
  • µÜ²¼Ë§ÌÀ, ±öÆþ¡¡Í¡, Ìð¸ýÇîµ×. »ë³ÐŪÈþ¤·¤µ¤Î²òÌÀ­¶¡¡Í×ÁÇ¥µ¥¤¥º¤Îʬ»¶¤¬Í¿¤¨¤ë±Æ¶Á, ÆüËÜ»ë³Ð³Ø²ñÅßµ¨Âç²ñ, ¹©³Ø±¡Âç³Ø, Jan.23, 2001.
  • µÜ²¼Ë§ÌÀ. ¥¹¥Æ¥ó¥É¥°¥é¥¹¤Ë¤ª¤±¤ë²èÁüǧ¼±¥á¥«¥Ë¥º¥à¤Î¸¦µæ ¤½¤Î»ë³ÐŪÈþ¤·¤µ¤Ëµ±ÅÙʬ»¶¤¬Í¿¤¨¤ë±Æ¶Á, ÆüËÜ¥¤¥ó¥Æ¥ê¥¢³Ø²ñ, Âè12²óÂç²ñ¸¦µæÈ¯É½¹¼³µ½¸, pp.31-32, 2000.
  • µÜ²¼Ë§ÌÀ, ¼ò°æÊþ»Ò. Macromedia Flash¤òÍѤ¤¤¿Web¾å¤Î£³¼¡¸µÉ½¸½¡¡Part 1, ±ÇÁü¾ðÊó¥á¥Ç¥£¥¢³Ø²ñµ»½ÑÊó¹ð, Vol.25, No.27, pp.49-50, 2001.
  • µÜ²¼Ë§ÌÀ, ¿¼¸«Í§µª»Ò, ËÙÅÄζÌé. ²»³Ú¶µ°÷¤Î¤¿¤á¤Î¥Ý¡¼¥¿¥ë¥µ¥¤¥È¤ÎÀ߷פȳ«È¯¡¤ÆüËܶµ°é¹©³Ø²ñ¡¤Âè17²óǯ²ñÏÀʸ½¸¡¤pp.555-556, 2001.
  • Homei MIYASHITA, Learning Animation Program of Japanese Traditional Game-rhymes on TV and WWW¡¤Proceedings of ED-MEDIA 2002(CD-ROM)¡¤AACE, 2001.
  • µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö. MIDI¥Ç¡¼¥¿¤«¤é¤Î¥¯¥í¥Þ¥×¥í¥Õ¥¡¥¤¥ë¤ÎÃê½Ð¤ÈʬÀÏ¡¤¾ðÊó½èÍý³Ø²ñ¸¦µæÊó¹ð ²»³Ú¾ðÊó²Ê³Ø 2003-MUS-51¡¤pp.97-101, 2003.
  • µÜ²¼Ë§ÌÀ.¡Ö²»¤òŸ¼¨¤¹¤ë¡×»î¤ß¤È¤½¤Îɾ²Á, ÆüËÜ¥¤¥ó¥Æ¥ê¥¢³Ø²ñ, Âè15²óÂç²ñ¸¦µæÈ¯É½¹¼³µ½¸, pp.87-88 , 2003.
  • µÜ²¼Ë§ÌÀ. ¥Ç¥¸¥¿¥ë¥Ñ¥Õ¥©¡¼¥Þ¥ó¥¹¤Ë¤ª¤±¤ë¥é¥¤¥ÖÀ­, Ê¿À®£±£µÇ¯ÅÙ¶âÂô³Ø±¡Âç³Ø¸ø³«¹ÖºÂÂè­·ÉôÈþ½Ñʸ²½³ØÉô,¡¡Â裱²ó¾ðÊó¥Ç¥¶¥¤¥ó¥·¥ó¥Ý¥¸¥¦¥à, pp.12-15, 2003.
  • Homei MIYASHITA, Kazushi NISHIMOTO. Thermoscore: A New-type Score for Temperature Sensation, International Conference on New Interface for Musical Expression (NIME04), pp.104-107, 2004.
  • ÉÍÃæ²í½Ó, ÀÐÅĹîµ×, Ë̸¶Å´Ïº, ë°æ¾ÏÉ×, µÈ°æÏ²Â, µÜ²¼Ë§ÌÀ, ¾åÅÄ·òÂÀϺ. ¥Ç¥â¥ó¥¹¥È¥ì¡¼¥·¥ç¥ó: ¼ã¼ê¤Ë¤è¤ë¸¦µæ¾Ò²ð, ¾ðÊó½èÍý³Ø²ñ, ¾ðÊó½èÍý³Ø²ñ¸¦µæÊó¹ð ²»³Ú¾ðÊó²Ê³Ø 2004-MUS-56, pp.27-32, 2004.
  • µÜ²¼Ë§ÌÀ, À¾Ëܰì»Ö. ²¹ÅÙ¤ÇÀ©Ìó¤ò´Ë¤ä¤«¤ËÄ󼨤¹¤ë¥·¥¹¥Æ¥à Thermoscore ¤òÍѤ¤¤¿Â¨¶½±éÁÕ»Ù±ç, ¾ðÊó½èÍý³Ø²ñ¸¦µæÊó¹ð ¥Ò¥å¡¼¥Þ¥ó¥¤¥ó¥¿¥Õ¥§¡¼¥¹ 2004-HI-110, pp.13-18, 2004.
  • µÜ²¼Ë§ÌÀ. °ìÂÐÈæ³ÓË¡¤Ë¤è¤ë¥¤¥á¡¼¥¸°õ¾Ýɾ²Á, ÆüËÜ¥¤¥ó¥Æ¥ê¥¢³Ø²ñ, Âè15²óÂç²ñ, pp.71-72, 2004.
  • Homei MIYASHITA, Kazushi NISHIMOTO. Developing a Non-visual Output Device for Musical Performers, Sound and Music Computing '04 (SMC04), IRCAM, Centre Pompidou, Paris, France, Oct.20-22, pp.251-255, 2004.
  • Homei Miyashita and Kazushi Nishimoto: Improvisation Support using Thermoscore-Display, Proc. International Symposium on "INTERACTION: Systems, Practice and Theory", pp.193-208, Creativity & Cognition Press., 2004.
  • µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö. ²»³Ú¤Î¾ò·ï¡§¥á¥Ç¥£¥¢¥¢¡¼¥È¡¦¥³¥ó¥µ¡¼¥È¤Ë¤ª¤±¤ë´ÑµÒ¤Îɾ²ÁʬÀÏ¡¤¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2005ÏÀʸ½¸¡¤¾ðÊó½èÍý³Ø²ñ¥·¥ó¥Ý¥¸¥¦¥à¥·¥ê¡¼¥º¡¤Vol.2005, No.4, pp.191-192, 2005.
  • µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö. ư¤¯¿Þ·Á³ÚÉè¤Î»îºî¤È¸¡¾Ú¡¤±ÇÁü¾ðÊó¥á¥Ç¥£¥¢³Ø²ñ, ¥á¥Ç¥£¥¢¹©³Ø¸¦µæ²ñ/±ÇÁüɽ¸½¡õ¥³¥ó¥Ô¥å¡¼¥¿¥°¥é¥Õ¥£¥Ã¥¯¥¹¸¦µæ²ñ,pp.17-20, 2005.
  • Homei MIYASHITA, Kazushi NISHIMOTO. What is the Essence of "Music?" A Case Study on Japanese Audience, SMC05, Nov. 24-26, Salerno, Italy, 2005.
  • µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö¡¤µÜÅİìЫ¡§²èÁü¹½À®Í×ÁǤε±ÅÙ-¥µ¥¤¥ºÊ¬»¶¤òÍѤ¤¤¿»ë³Ð¥Ç¥¶¥¤¥ó»Ù±ç¼êÃʤθ¡Æ¤¡¤¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2006ÏÀʸ½¸¡¤pp.117-124, 2006¡¥
  • ³¤¾Â¸­¡¤µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö¡§ÌÑÁÛ½ñ¤­¼Î¤Æ¥Þ¥Ã¥×¡§È¯Áۤμý½¸¤ÈºÆÍøÍѤˤè¤ë¾®ÀâÁϤ»Ù±ç¡¤¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2006 CD-ROMͽ¹Æ½¸¡¤2006.
  • ³¤¾Â¸­¡¤µÜ²¼Ë§ÌÀ¡¤À¾Ëܰì»Ö¡§Â¾¼Ô¤«¤é¤Î¿¨È¯¤ò³èÍѤ¹¤ë¾®ÀâÁϤ¥×¥í¥»¥¹¤ÎʬÀÏ¡¤¾ð½è¸¦Êó2006-EC-3¡¤Vol.2006, No.24, pp.113-120, 2006.
  • ¾®ºä¿òÇ·, µÜ²¼Ë§ÌÀ, ÉþÉô¿Ê¼Â. Ëׯþ·¿»°¼¡¸µÉ÷³Ð¥Ç¥£¥¹¥×¥ì¥¤¤Î³«È¯¤Èɾ²Á, ¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2007ÏÀʸ½¸, pp.105-112, 2007.
  • µÜ²¼Ë§ÌÀ. ¸º»»¼°ºî¶Ê: ¡Ö²»¤òºï¤ë¡×Ħ¹ïŪ¤Ê¼¡À¤Âå²»³ÚÀ©ºîË¡, ¥¨¥ó¥¿¥Æ¥¤¥ó¥á¥ó¥È¥³¥ó¥Ô¥å¡¼¥Æ¥£¥ó¥°2007ÏÀʸ½¸, pp.141-144, 2007.
  • µÜ²¼Ë§ÌÀ. pH¥Æ¥ë¥ß¥ó¤ÈË¢²»¥ê¥º¥à[Awa-Odo-Rhythm] ²½³Ø³Ú´ï¤òÍѤ¤¤¿¥á¥Ç¥£¥¢¥¢¡¼¥È¥Ñ¥Õ¥©¡¼¥Þ¥ó¥¹. ¥¨¥ó¥¿¥Æ¥¤¥ó¥á¥ó¥È¥³¥ó¥Ô¥å¡¼¥Æ¥£¥ó¥°2007ÏÀʸ½¸, pp.223-224, 2007.
  • ÀÄÌÚ½¨·û¡¤µÜ²¼Ë§ÌÀ. Music Leak: ²»Ï³¤ì¤òݤ¯¡¢¿·¤·¤¤²»³Ú¤Î³Ú¤·¤ßÊý, Âè15²ó¥¤¥ó¥¿¥é¥¯¥Æ¥£¥Ö¥·¥¹¥Æ¥à¤È¥½¥Õ¥È¥¦¥§¥¢¤Ë´Ø¤¹¤ë¥ï¡¼¥¯¥·¥ç¥Ã¥×¡ÊWISS2007), pp.105-106, 2007.
  • ¼Ä¸¶Í´¼ù, µÜ²¼Ë§ÌÀ. ʸ»úǧ¼±¡Ö¤¹¤ë¦¡×¤È¡Ö¤µ¤ì¤ë¦¡×¤òÊâ¤ß´ó¤é¤»¤ë¥¤¥ó¥¿¥Õ¥§¡¼¥¹, ¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2008ÏÀʸ½¸, 2008¡¥
  • »ûÅÄÃÎÌð, µÜ²¼Ë§ÌÀ. Æó¿Í¼ò¡§¡Ö°ì½ï¤Ë°û¤ó¤Ç¤¤¤ë´¶³Ð¡×¤ò¼Â¸½¤¹¤ë¥Ó¥Ç¥ª¥Á¥ã¥Ã¥È¤òÌܻؤ·¤Æ, ¥¤¥ó¥¿¥é¥¯¥·¥ç¥ó2008 CD-ROMͽ¹Æ½¸, 2008.
  • ÀÄÌÚ½¨·û¡¤µÜ²¼Ë§ÌÀ. ¥Ë¥³¥Ë¥³Æ°²è¤Ë¤ª¤±¤ë±ÇÁüÍ×Ìó¤È¥µ¥Ó¸¡½Ð¤Î»î¤ß, ¾ð½è¸¦Êó2008-HCI-128/2008-MUS-75¡¤Vol.2008, No.50, pp.37-42, 2008.
  • ¼Ä¸¶Í´¼ù, µÜ²¼Ë§ÌÀ. ʸ»úǧ¼±¤Ë¤ª¤±¤ë¡ÖÊâ¤ß´ó¤ê¥¤¥ó¥¿¥Õ¥§¡¼¥¹¡×¤Î»îºî¤È¸¡¾Ú, ¾ð½è¸¦Êó2008-HCI-128/2008-MUS-75¡¤Vol.2008, No.50, pp.153-158, 2008.
¡Ú³ØÆâ ¡Ê¸Ä¿ÍÍÑ¥á¥â¡Ë¡Û
¡¡¡¦¾ðÊó²Ê³Ø²Ê ´´»ö(2008-)
¡¡¡¦¾ðÊó²Ê³Ø²Ê 1ǯ15ÁÈ Ã´Ç¤(2008-)
¡¡¡¦¾ðÊó²Ê³Ø²Ê ¾­Íè·×²è£×£Ç(2007)
¡¡¡¦¾ðÊó²Ê³Ø²Ê ¥«¥ê¥­¥å¥é¥à²þÄûWG(2008-)
¡¡¡¦½©ÍÕ¸¶¥µ¥Æ¥é¥¤¥È¥­¥ã¥ó¥Ñ¥¹Íý¹©³ØÉôWG(2008-)
¡¡¡¦ÌÀ¼£Âç³ØÀ¸ÅıDz踦µæÆ±¹¥²ñ¡Ø¥·¥Í¤Þ¤¾¡ÙÉôĹ(2007-)
¡¡¡¦ÌÀ¼£Âç³ØÀ¸ÅÄÌ¡²è¸¦µæ²ñ ÉôĹ(2008-)


homei_miyashita at 22:02¡ÃPermalink ¨¢Comments(0) ¨¢TrackBack(0)